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抗日战争年代，一群亡命之徒集结在北方平原。他们在首领方有望（黄晓明 饰）带领下，建立了一个地下王国，平日打劫为生。一日他们绑架了一个正去迎亲的新郎官高栋梁（张译 饰），出乎意料的是，高栋梁是个硬汉子，很快凭自己的血性和智慧征服了整个匪帮，成为“二当家”，他和首领之妹“小姑奶奶”方梓珍（张歆艺 饰）产生感情，又说服方有望前去对抗日本侵略者，从绑架来前线视察的“天皇弟弟”开始。经过一番精心策划，这群案底累累的恶棍担起“匹夫之责”，凭借手中武器和血肉之躯，潜入日本人营地，试图搞出一番大作为……还记不记得伴着我们长大的那部飞狼，那部霹雳游侠？ 那架黑色的直升机，那辆黑色的汽车。给了我们多少欢乐。 警官麦克朗在一次执行任务中被子弹击中头部，醒来后发现自己竟然变成了一个陌生人的模样！不仅如此，他的身份也完全改变了。救活他的是政府立法基地的戴文，戴文告诉他：麦克朗已经死了，代替他的将是麦克奈特！并且将一辆独一无二的汽车交给他，从此，世界上多了一位专门惩治逃避法律制裁的罪犯的——霹雳游侠Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
